Visual Culture Blog
Visual Culture, Politics and Criticism.
So that others can be free
Samuel Aranda, World Press Photo of 2011The World Press Photo of 2011 has been awarded to Samuel Aranda from Spain. His striking photograph produced for The New York Times shows a woman holding a wounded relative during protests against Yemen President Ali Abdullah Saleh in Sanaa on Oct. 15. Similar to past winners of the World Press Photo award, arguably the most important professional distinction for photojournalists, the image is highly charged, dramatic and evocative of a painful event. It is, at first sight, an image that is easily understood precisely because it alludes to feelings and emotions that are universal: the physical pain endured through injury, the emotional pain endured through a relatives injury, and, in extreme, the traumatic pain endured through death. Apart from this schema that can be attributed to a whole range of photojournalistic images, in this blog post I wish to dig deeper, and discover why particularly Aranda’s image was chosen
Showing all the circular mails and others falling into her mailbox mirror. Informations never lose but loose, rarely change, but go around merry in this global memory refreshment cycle. Sometimes new grains of sand fall into the machinery. A méltartóba beeső mindenféle körlevelek, egyebek tükre. Az információ nem nagyon vész vész el, nem is alakul át nagyon, csak megy körbe és körbe ebben a globális memóriafrissítési ciklusban. Néha új homokszemek is kerülnek a gépezetbe.
Lady Tuckaway (Sára a berakónő) Showing all the circular mails and others falling into her mailbox mirror. Informations never lose but loose, rarely change, but go around merry in this global memory refreshment cycle. Sometimes new grains of sand fall into the machinery.
2012. február 10., péntek
So that others can be free at Visual Culture Blog: Visual Studies and Visual Communication
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